Justin Conte

Justin Conte was born and raised in Rochester, NY. He began dancing at the age of 15, soon realizing he had found a safe place to learn and grow. Over the past 7 years he's been teaching and choreographing around the United States as well as internationally. After moving to NYC in 2008, Justin was exposed to a variety of street, freestyle and native movement, sparking inspiration. He began training with world renowned movers and choreographers Dana Foglia, La Jon Danztler, Joanna Numata, Brian Friedman, Sheryl Murakami and many more. Exploring new movement and a deeper sense of self became necessary. He then fulfilled his passion of teaching at Broadway Dance Center, NYC as well as choreographing commercially for various recording artists traveling the U.S.

Justin began his professional career understudying Tyce Diorio in the final regional production of A Chorus Line before it returned to Broadway as the role of Mike. Within the past few years, Justin has traveled internationally to Japan to work with Tokyo, Osaka and Fukuoka Schools of Music and Dance. He has most recently been seen dancing on the hit Fox TV series Glee as well as performing as a member of Dana Foglia Dance. Also, Justin has worked with many recording artists such as Paula Abdul, Miley Cyrus and Jordan Sparks. He is currently working in both Los Angeles and New York City dancing, teaching and sharing his movement at Debbie Reynolds, Movement Lifestyle, Millennium Dance Complex and Broadway Dance Center. 
He explores many ways of movement. Presently, he is driven by his inspirations: hip hop and house dance, infused with the heart, soul and individuality of contemporary, native, and african movement. He is proud to be an open mind sharing a conscious voice within the industry.

"In our time together, we will balance training, body awareness and exploration of self. My aim is to share my knowledge of and passion for movement, rhythm and storytelling to help you find your individual flow. As movers and artists, we are HEALERS... sharing hope for a more conscious day. Our bodies move to ignite that which we have seen and give insight to what is to come. I challenge my movers to explore the capacity of their imaginations (our most expansive tool). In the end, our audience sees what we (the artist) see. Here lies our infinite power to create stories.